San Francisco’s underground institution The Reds, Pinks and Purples have today both announced details of a new album, The Town That Cursed Your Name and shared the video for ‘Life In The Void’, the first track to be taken from the album.

Released on 24th March, the album is their fifth in as many years, testament to the prolific nature of Glenn Donaldson, the Bay Area songwriter who leads the project.

Talking about ‘Life In The Void’, Donaldson said:

‘Life in the Void’ is dedicated to everyone who ever felt trapped in a shitty life situation or loved someone who fell apart in slow motion.”

The Town That Cursed Your Name is available on CD, two vinyl formats – pastel green and a limited cream vinyl edition with a bonus 7” available only via Bandcamp/Tough Love website – as well as the usual digital formats. The band undergo a short US tour with Destroyer in May. Dates below.

1. Too Late For An Early Grave
2. Leave It All Behind
3. Life In The Void
4. Here Comes The Lunar Hand
5. Burning Sunflowers
6. Waiting On A Ghost To Haunt You
7. What Is A Friend?
8. Mistakes (Too Many To Name)
9. Almost Changed
10. The Town That Cursed Your Names
11. I Still Owe You Everything
12. Break Up The Band

Pre-order The Town That Cursed Your Name here

It’s ok to play out of time

Music toys with time. Or, maybe songs reflect back that time is always toying with us. The world of a song takes hold of us like an eternity to be lost in, with its repetitions and variations, but ultimately, as with everything else, it has a start and then ends. And there’s no place to lose time like San Francisco, where there are no seasons and all the seasons occur within one day; where the fog takes the space where your plans might have been; where there’s insane wealth all around and everyone you know and love is hanging on at the periphery and making art on any given Tuesday night. About Glenn Donaldson’s new record, The Town That Cursed Your Name, he says, “I realized as I was piecing it together that it’s a song cycle about trying to live while also feeling called to make music”. It’s a double life when it works and a deeper doubleness to mirror the Gemini nature of songs themselves. The Town That Cursed Your Name contemplates this problem with wryness, generosity, and the micro- and macroscopic realness Donaldson is known and loved for.

Whereas the 2022 collection Summer at Land’s End was a softer, gauzier world, The Town That Cursed Your Name is heavier, with fuzzed lines running through. ‘Leave It All Behind’ starts out with an amorphous whine but quickly launches into something both supremely melodic and buzzing at the edges. ‘Here Comes the Lunar Hand’ is an impressionist geometry that seems to capture the album’s themes without telling you how. Lyrically, Donaldson embraces the earnestness of his heroes Paul Westerberg and Grant McLennan. Sonically, late ’80s college rock is filtered through song-forward lo-fi acts like East River Pipe and House of Tomorrow-era Magnetic Fields. Like the images that accompany his releases – flowers and residential street scenes are pushed to the breaking point with colour – Donaldson’s songs are at the same time dazzling and lurid, beautiful and burdened, not unlike life as a musician around here.

In the liner notes, Donaldson dedicates the record “to everyone who ever tried to start a band in the Bay”. There will be many knowing smiles at his title, ‘It’s Too Late For An Early Grave’. But, this dedication captures something else about the particular strain of sincerity that laces the city water supply – the front man around here is on stage under those lights evincing the fervor not of the pop star but of the biggest fan. – Karina Gill, 2023